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Old 06-15-2010, 07:20 PM   #1711
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Why bother with any other threads?

SnoozeRat screwed with this post 06-16-2010 at 03:04 AM
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Old 06-15-2010, 07:27 PM   #1712
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Quote:
Originally Posted by FakeName
And clearly she can't give her best unless she's got room to move.
How many you think are gonna catch that obscure reference
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Old 06-15-2010, 07:36 PM   #1713
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Quote:
Originally Posted by rufusswan
How many you think are gonna catch that obscure reference

Don't care- even if it's just one of you, I've done my job.
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Old 06-15-2010, 07:41 PM   #1714
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And for those of you who may be unfamiliar with one of the single best assertive riding theme songs, check out John Mayall, specifically:

"Room to Move".

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Old 06-16-2010, 12:56 AM   #1715
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I've seen this photo all over the web, it crops up time and time again, with similar comments. It is such an evocative picture with so many dimensions to it. All the more so for me beacuse the bike is a Ducati, which was such a rare bike then, and very expensive compared to a British bike of the era.

Quote:
Originally Posted by svejkovat
I went through this thread yesterday. Today it was an image from the first page that just stuck in my head.

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Old 06-16-2010, 03:03 AM   #1716
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Quote:
Originally Posted by Uncle Ernie
Love it! What's the bike?
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Old 06-16-2010, 05:21 AM   #1717
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Old 06-16-2010, 06:24 AM   #1718
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Quote:
Originally Posted by Joe Bar
I've seen this photo all over the web, it crops up time and time again, with similar comments. It is such an evocative picture with so many dimensions to it. All the more so for me beacuse the bike is a Ducati, which was such a rare bike then, and very expensive compared to a British bike of the era.
Soon, we'll get back to less words, more pics. But I have to comment about this image.

Look at it's "quality". It appears to be a copy of a previously published image- I think I can see halftone dots and some cracks/wrinkles. Based on the look, it appears to have been shot on tri-x and somewhat poorly processed. Clumpy grain, blown highlights and nothing is sharp at all in the image. It violates the "rule of thirds"! It appears to have both camera shake and motion blur, and was probably shot with a Pentax Spotmatic or equivalent. Or, given it's square format, it might be a handheld Hassy or other medium format.

However, it's a beautiful image that repeatedly evokes strong reactions for a number of reasons, both motorcycle and woman comments. People are moved by this image enough they fantasize a background story for it. It's strongly evocative and very powerful. I love it too.

My point is, the next time you're geeking out about Nikon or Canon, point-and-shoot vs dslr, the $2500 camera or the $9000 camera. The fixed vs the wide-range super-fast latest zoom, and it's unique bokeh. The resolution lines of a tested lens and the shutter lag of another, or the color profile and the art of post-production, think of this image. The pixel count, the pixel size and a camera's performance at high exposure values. The next time you worry about all that technical bullshit, think of this image.

This image is a reminder that content is the king, and a good photographer can recognize and create a powerful image that is full of technical "flaws" will still inspire powerful emotional responses.
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Old 06-16-2010, 08:34 AM   #1719
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That's exactly what I used to tell the boys at the Art Academy!

If that was a perfect studio shot, it wouldn't convey the speed and motion, or even the romantic mystery. I like it just fine.
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Old 06-16-2010, 10:34 AM   #1720
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Quote:
Originally Posted by FakeName
And for those of you who may be unfamiliar with one of the single best assertive riding theme songs, check out John Mayall, specifically:

"Room to Move".

I have this album. On a vinyl LP. Damn, I'm old.
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Old 06-16-2010, 11:09 AM   #1721
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Old 06-16-2010, 11:19 AM   #1722
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Loooove Harold and Maude. I didn't realize it was a moto guzzi police bike she took in that scene. Thanks for this pic!

Quote:
Originally Posted by Joe Bar


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Old 06-16-2010, 11:34 AM   #1723
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Quote:
Originally Posted by blaine.hale
Loooove Harold and Maude. I didn't realize it was a moto guzzi police bike she took in that scene. Thanks for this pic!
And they stole it from Tom Skerrit in the movie.
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Old 06-16-2010, 11:52 AM   #1724
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Quote:
Originally Posted by FakeName
Soon, we'll get back to less words, more pics. But I have to comment about this image.

Look at it's "quality". It appears to be a copy of a previously published image- I think I can see halftone dots and some cracks/wrinkles. Based on the look, it appears to have been shot on tri-x and somewhat poorly processed. Clumpy grain, blown highlights and nothing is sharp at all in the image. It violates the "rule of thirds"! It appears to have both camera shake and motion blur, and was probably shot with a Pentax Spotmatic or equivalent. Or, given it's square format, it might be a handheld Hassy or other medium format.

However, it's a beautiful image that repeatedly evokes strong reactions for a number of reasons, both motorcycle and woman comments. People are moved by this image enough they fantasize a background story for it. It's strongly evocative and very powerful. I love it too.

My point is, the next time you're geeking out about Nikon or Canon, point-and-shoot vs dslr, the $2500 camera or the $9000 camera. The fixed vs the wide-range super-fast latest zoom, and it's unique bokeh. The resolution lines of a tested lens and the shutter lag of another, or the color profile and the art of post-production, think of this image. The pixel count, the pixel size and a camera's performance at high exposure values. The next time you worry about all that technical bullshit, think of this image.

This image is a reminder that content is the king, and a good photographer can recognize and create a powerful image that is full of technical "flaws" will still inspire powerful emotional responses.
Sometimes its the flaws that shows that an event really happened and wasn't staged. To many photographers spend so much time trying to get the pefect shot that they end up missing it. If whoever took that picture had spent the time to get the focus right and the "rule of thirds" just right, the girl may have turned the corner and been gone forever. What makes this picture mean more to me is that it is flawed, a imperfect picture of perfection.
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Old 06-16-2010, 12:35 PM   #1725
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Quote:
Originally Posted by Joe Bar

Fortunately the photo was cut off where it was!

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